Off The Tracks

Off The Tracks
  • Blog
    • Interviews
    • Miscellany
    • Special Guests
    • Reviews
  • Podcasts
  • The Vinyl Countdown
  • Back Catalogue
  • About
    • About
    • About the banner image
    • On Song
    • Advertise
March 5, 2018 by Simon Sweetman

Tracey Thorn: Record

Tracey RecordTracey Thorn

Record

Merge Records

Nearly 40 years into her career now Tracey Thorn is making her best music with each new release. The last half-decade or so has seen a handful of brilliant solo efforts – with a career-sampler hits package worth checking and just before that a wonderful slim-volume soundtrack that was the best thing by far about a bad movie.

And now, with Record, Thorn has made, yet again, some of her very best music.

There are classic 80s synths here – and you’ll think not just of Everything But The Girl but on at least two tracks here (Guitar, Smoke) there are traces of Annie Lennox.

Described by Thorn as “nine feminist bangers” Record might be talked up elsewhere as the first great album for #MeToo of 2018. And maybe it is. But it’s also far more than that. And put simply: it’s just a terrific record, a near-perfect set of songs.

One of the things I love about this is how artfully Thorn can spin the minutiae – there’s this dopey old adage that being content won’t allow for good art; that the simple, boring pleasures (and non- pleasures) of life are not the subject/s for great writing. That’s obviously horseshit, and if you ever needed more proof then Record can stand on its own as a towering achievement to show exactly that.

Here Thorn sings about wanting children, all the nights pacing halls when those children wouldn’t sleep, the heartbreak and pride of those children leaving home, heading off out into the world to be something outside of who they were at home.

She sings too of female beauty, challenging the stereotypes; always observing – one of the best qualities in Thorn’s lyrics. She is stoic, she is never detached. She’s there. So present. In voice. In heart. In mind.

Record bursts out of the gate with Queen, stroppy synth lines, a near-disco pulse, it’s a reminder of what happened when EBTG first went electro. It’s hooky and catchy and full of goodness. Subtly anthemic. Which could be a tagline or catchphrase for a great deal of Thorn’s finest work with bands and solo, as cameo artist too.

Air has more of a feel of the, well, breezy pop textures du jour – there’s a hint of Alison Moyet to this too. download

Guitar is a return to Queen’s strobing sound and Smoke might be the most EBTG-sounding song here, musically. The lyric a deep meditation on identity.

Sister is the album’s centrepiece – and the song that will, rightfully, get the most column inches. It arrives in the middle of the album and takes up a full eight minutes of Record’s slim 35-minute run-time.

“Don’t mess with me”, Thorn purrs with pride. “Don’t hurt my babies”, she says addressing her pride. “I’ll come for you”, is the next snarl. “You’ll find you’ve bitten off more than you can chew”. All of this riding along on an insatiable mid-tempo disco-soul groove. Corinne Bailey Rae and Warpaint are on board for this anthem of sisterhood and solidarity.

Good, groovy music that’s thoughtful and wise. Just when you couldn’t ask for more than that, Thorn gives so much more – the lilting, minimalist ballad Go, the humour and frustration of Babies, another personal (hilarious) lyric married to a dancefloor-hook.

“Get the fuck to bed now” she intones. The memories run deep, the humour is bold, inventive. At 55 Thorn is singing her life, a series of ongoing observations. She writes off social media on Sister, but particularly on Face which is the most moving song here (“I’m on my own/in monochrome”). You could weep any time you heard this, for the lyric, and the performance. Thorn is so great with story, so great at storytelling.

Dancefloor is the upbeat closer. Another reminder of EBTG’s best (dancefloor) features.

The first great album of 2018 is here. It’s as if a diary has been opened up, you’ve been encouraged to peek.

It’s also subtle enough to exist as simply an album of great grooves and hooks – but at some point, whether on first of 15th listen, the words will hit you; the impact of it, the sincerity, the cleverness, the crafting, the paring back, the introspection, the retrospective, the illumination.

Thorn’s work across the 2010s has been filled with highlights – add two brilliant books in and around the albums. But Record is an absolute (new) peak.
maxresdefaultYou can support Off The Tracks via PressPatron

Posted in Blog, Reviews and tagged with Album Review, EBTG, Everything But The Girl, Record, Tracey Thorn, Tracey Thorn: Record, You can support Off The Tracks via PressPatron. RSS 2.0 feed.
« Theatre Preview: Your Heart Looks Like A Vagina
The Vinyl Countdown # 428 »

2 Responses to Tracey Thorn: Record

  1. Pingback: RNZ Reviews: March 2018

  2. Pingback: Natalie Prass: The Future And The Past

Popular

  • Janna Lapidus Leblanc: Four Years In Pictures
  • The Sad Story of Bob Welch: Fleetwood Mac’s Most Undervalued Member
  • The Best Guitarist in The World: # 8 – Mark Knopfler
  • James Blunt: How To Be A Complete and Utter Blunt – Diary of a Reluctant Social Media Sensation
  • Bill And Ted Face The Music: DVD
  • Poem: Dear Ngā Mihi,
  • Neil Young & Crazy Horse: Way Down In The Rust Bucket
  • The Best Guitarist in The World: # 11 – Lindsey Buckingham
  • The Australian Dream: DVD
  • Drummers You Just Can’t Beat: # 12 – Mick Fleetwood

Archives

Tags

Album Review Auckland Book Book Review Chat Compilation DJ DVD DVD Review EP Film Film Review Gig Gig Review Guest Blog Guitar Interview Jazz Jon Mcleary Live Live Gig LP Movie Music NZ Podcast Poem Record Records Simon Sweetman Soundtrack Spines Spotify Stub Stubs Sweetman Podcast The Ghost of Electricity The Spines The Vinyl Countdown Vinyl Wellington Wgtn Writing You can support Off The Tracks via PressPatron [OST]

Categories

  • Back Catalogue
  • Blog
  • Interviews
  • Miscellany
  • Mixtapes
  • Playlists
  • Podcasts
  • Reviews
  • Scene Of The Day
  • Special Guests
  • The Vinyl Countdown

Off The Tracks is the home of Sweetman Podcast, a weekly interview/chat-based pod. It's also home to my reviews across film, TV, music and books and some creative writing as well.

Off The Tracks aims to provide quality reviews and essays, regular blog updates about the shows, albums, books and movies you should be experiencing.

It's a passion project. Your support will help to keep Off The Tracks online.

All content © 2021 by Off The Tracks. WordPress Themes by Graph Paper Press