Posts Tagged Wgtn
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November 21, 2019 by Simon Sweetman
Stubs: # 241 – The Beat & The Selecter, Wellington, 2018
It was a double-bill, in fact they were taking turns to headline (a cool idea). I reckon The Selecter might have had the better energy all up but The Beat had more songs that resonated with this crowd; so Wellington was lucky to get that order – The Selecter first and The Beat second. Shit […]Archive
November 17, 2019 by Simon Sweetman
Gig Review: The Bootleg Beatles (November 14, Wellington)
The Bootleg Beatles Opera House, Wellington Thursday, November 14 I’ve seen The Bootleg Beatles before – so they’re not the only repeat-offenders. They were very good. And I’m not (often) a fan of tribute acts. But a) it’s The Beatles. And b) this is a very good-natured, well-meaning, deftly executed tribute show. It’s about celebrating […]Archive
November 13, 2019 by Simon Sweetman
Sweetman Podcast # 193: Sean Plunket
Welcome to episode 193 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved […]Archive
November 12, 2019 by Simon Sweetman
Stubs: # 240 – Cuba Dupa, Wellington, 2015
Give me a name-tag and I’ll hide it. Lanyards. They go in my pocket. Backstage passes…even more cringe. And something with “VIP” on it. FUCK OFF! But – as you can see – I hold onto this shit. I keep the lanyards along with the ticket-stubs; I haven’t kept every single one, but a few […]Archive
October 14, 2019 by Simon Sweetman
Stubs: # 236 – Demolition of the Century, Wellington, 2015
This was a good show – it was a spoken-word/theatre show by the writer Duncan Sarkies. And it featured live music (covers, originals and score) by Joe Blossom. I went along to review it – not sure quite how that happened, must have been asked along by Joe Blossom perhaps, or by Circa. But I […]Archive
October 13, 2019 by Simon Sweetman
Tour Announcement: Violent Femmes to Play Two NZ Shows (March, 2020)
Plus1 proudly presents Milwaukee’s finest, Violent Femmes live in Auckland and Wellington in March performing so many of those songs we hold dear to their hearts. Grab your pals and get ready for classics like Blister In The Sun, Gone Daddy Gone, Kiss Off, Add it Up, American Music, Please Do Not Go & gems off new album Hotel Last Resort.Archive
October 9, 2019 by Simon Sweetman
Sweetman Podcast # 188: Simon Leary
Welcome to episode 188 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved […]Archive
September 7, 2019 by Simon Sweetman
Stubs: # 234 – Lisa Fischer and Grand Baton, Wellington, 2016
I was looking forward to this – because I’d seen Lisa Fischer in her role with the Rolling Stones and she’s at the emotional heart of the film 20 Feet From Stardom and I’d checked out some of her other sessions and solo work. In short: I was a fan. But it wasn’t great. And […]Archive
September 4, 2019 by Simon Sweetman
Stubs: # 233– AC/DC, Wellington, 2015
I first got to see AC/DC in 2010 and it was good. Okay, it wasn’t AC/DC in 1977 or 1980 or even in 1991 – but it was my first chance to see the band. And it was great. Solid-af. I dug it. I didn’t really think it would be as good seeing them a […]Archive
August 12, 2019 by Simon Sweetman
Gig Review: Jennifer Stumm & Te Koki Trio (August 8, Wgtn)
Jennifer Stumm & Te Koki Trio: Secrets & Hidden Messages MFC Thursday, August 8 This Chamber Music NZ concert featured touring American violist Jennifer Stumm with local musicians Inbal Megiddo (cello), Jian Liu (piano) and Martin Riseley (violin): Te Koki Trio. The opening piece was just for the trio, a Chamber Music-commission by local composer Michael Williams. Over a see-sawing frenzy of violin the piano provided […]Archive
August 7, 2019 by Simon Sweetman