Posts Tagged Wellington Film Society: Preview
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June 29, 2018 by Simon Sweetman
Wellington Film Society: Preview – Les Cowboys (July 2)
The Wellington Film Society’s program moves back up to date this week. Last week it was the glam of Gilda – with cocktails after! But this week it’s Les Cowboys, a French-Belgian film from 2015. Reaching across 15 years and multiple countries, Les Cowboys repurposes the narrative codes of the classic western to explore the complexities of […]Archive
June 24, 2018 by Simon Sweetman
Wellington Film Society: Preview – Gilda (June 25)
The Wellington Film Society’s program rolls out another oldie and a goldie. Last week it was to more modern times with Of Horses And Men, this time we’re back in the Golden Era with Gilda – featuring of course Rita Hayworth and Glenn Ford and directed by Charles Vidor.Archive
June 16, 2018 by Simon Sweetman
Wellington Film Society: Preview – Of Horse And Men (June 18)
The Wellington Film Society’s program is continues, last week it was 1960s paranoia with Seconds, this week we’re in Iceland, we’re right up to date (well, 2013) and we’ve got one of the shortest running times of the year (around 70 minutes or so) with Benedikt Erlingsson’s movie, Of Horses And Men. Part of the […]Archive
June 6, 2018 by Simon Sweetman
Wellington Film Society: Preview – Seconds (June 11)
The Wellington Film Society’s program is back after a week off – and we’re still in the sixties, following on from Alphaville we’re in the world of John Frankenheimer. His Seconds (1966) is in fact the third film in his “Paranoia Trilogy” (following 1962’s The Manchurian Candidate and 1963’s Seven Days In May). The film […]Archive
May 27, 2018 by Simon Sweetman
Wellington Film Society: Preview – Alphaville (May 28)
The Wellington Film Society’s program continues – last week it was Only Angels Have Wings, and now we’re back in the world of Jean-Luc Godard with Alphaville. This is from Godard’s most celebrated period in the 1960s, but a genre in which he had not worked before; science-fiction with a dash of film noir. In Alphaville, […]Archive
May 20, 2018 by Simon Sweetman
Wellington Film Society: Preview – Only Angels Have Wings (May 21)
The Wellington Film Society’s program continues – last week it was Wild, and after a few contemporary stories we return to film-history and historic movies to view Only Angels Have Wings. This is a Howard Hawks film starring Cary Grant. Considered one of Hawks’ best films it is notable for its special effects of the […]Archive
May 14, 2018 by Simon Sweetman
Wellington Film Society: Preview – Wild (May 14)
The Wellington Film Society’s program continues – last week it was Le Quattro Volte and sticking with more modern films and return screenings of features that debuted in the big film festival we have Wild. From the Film Society’s notes: A walk on the wild side in the most literal sense, Wild is a wayward, confrontational, anarchic, […]Archive
May 4, 2018 by Simon Sweetman
Wellington Film Society: Preview – Le Quattro Volte (May 7)
The Wellington Film Society’s program continues – after Things To Come last week it’s time for the first film of May. Le Quattro Volte sounds like a must see. And I missed it when it was on at the Film Festival back about seven years ago now. So we’re lucky to have another chance to […]Archive
April 22, 2018 by Simon Sweetman
Wellington Film Society: Preview – 24 Weeks (April 23)
The Wellington Film Society’s program continues – last week it was Mon Oncle, now we’re moving forward several decades to something far more modern, contemporary with 24 Weeks (2016). It’s a tough watch about a touch subject – Astrid (Julia Jentsch) must choose whether or not to have a late term abortion when she discovers […]Archive
April 14, 2018 by Simon Sweetman
Wellington Film Society: Preview – Mon Oncle (April 16)
The Wellington Film Society’s program resumes – following the world’s oldest existing feature-length animated film, The Adventures of Prince Achmed we move to the world of Jacques Tati and the first of his colour films, Mon Oncle. The film centres on the socially awkward yet lovable character of Monsieur Hulot and his quixotic struggle with post-war France’s infatuation with […]Archive
April 5, 2018 by Simon Sweetman