Posts Tagged UK
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March 9, 2020 by Simon Sweetman
Shit That’s Good! Crap Albums I Love # 22 – Screaming Lord Sutch, “Lord Sutch and Heavy Friends”
Screaming Lord Sutch, Lord Sutch and Heavy Friends, 1970 I first learned about Screaming Lord Sutch because I was, at one point, so obsessed with the band Deep Purple that I found this tape called Rock Profile Vol. 1 which showed off some of the early session work by guitarist Ritchie Blackmore. It also featured […]Archive
February 16, 2020 by Simon Sweetman
Gig Review: The Stranglers (February 14, Wellington)
The Stranglers w/ Mi-Sex Opera House, Wellington Friday, February 14 I saw The Stranglers in 2016 – this version of the band. And it was superb. So much so I wasn’t sure I needed to see the band again (they’ve been back twice since) but then something made me think that it wouldn’t at all […]Archive
February 6, 2020 by Simon Sweetman
Burial: Tunes 2011 – 2019
Burial Tunes 2011 – 2019 Hyperdub Arriving as part of the Hyperdub label’s 15-year celebration this compilation by Burial might at first seem intriguing and/or unnecessary but I for one welcome it.Archive
November 17, 2019 by Simon Sweetman
Gig Review: The Bootleg Beatles (November 14, Wellington)
The Bootleg Beatles Opera House, Wellington Thursday, November 14 I’ve seen The Bootleg Beatles before – so they’re not the only repeat-offenders. They were very good. And I’m not (often) a fan of tribute acts. But a) it’s The Beatles. And b) this is a very good-natured, well-meaning, deftly executed tribute show. It’s about celebrating […]Archive
September 14, 2019 by Simon Sweetman
The Vinyl Countdown # 252
Sid Phillips & His Band, Squeakin’ Shoes/Basin Street Blues [78] (1954) I bought a few 78s just to have – for the look and feel of them. I bought a gramophone a few years later, one of those replica-ones; it worked. Still works. I’ve just given it to my folks to store/display. I’ve run out […]Archive
August 20, 2019 by Simon Sweetman
Ezra Collective: You Can’t Steal My Joy
Ezra Collective You Can’t Steal My Joy Enter The Jungle Records Oh thank fuck for ears! Because, good lord, almost everything is wrong with this record…right up until you listen to it. The band’s name, that album cover, a record called You Can’t Steal My Joy – it’s just as well we don’t judge books (or albums) by their cover (even though a […]Archive
June 13, 2019 by Simon Sweetman
The Specials: Encore
The Specials Encore UMC (Universal Music Catalog). The three remaining Specials are here – Terry Hall (vocals), Horace Panter (bass), Lynval Golding (vocals/guitar) – which means this is The Specials. But there were more original members of the band around and present for the reunion of 10+ years ago and all the live albums and bits and pieces that have […]Archive
May 22, 2019 by Simon Sweetman
Gig Review: Brodsky Quartet (May 20, Wgtn)
Brodsky Quartet MFC Monday, May 20 Britain’s long-running Brodsky Quartet (formed in 1972 and still with two original members) are known for their regular touring (including at least four visits to New Zealand) and their crossover pop collaborations (Elvis Costello, Bjork, Paul McCartney) as well as their refined chamber work – including a fondness for the string-quartet […]Archive
May 13, 2019 by Simon Sweetman
Gig Review: Luke Wright (May 13, Wgtn)
Luke Wright Meow; Wellington Monday, May 13 I call it a “Gig Review” – but it’s a poetry reading. Still, “Gig Review” seems to suit, poetry reading suggests something staid, safe, possibly boring. Not even the chance with one of the UK’s finest modern poetic voices – Luke Wright. Here for writers/readers festivals and Wellington was […]Archive
May 11, 2019 by Simon Sweetman
Luke Wright – Poet: Reading at Meow, Wellington, Monday, May 13, 2019
Verb Wellington is bringing poet Luke Wright to the capital city this coming Monday, May 13. I’ve just recently finished reading Luke Wright’s volume The Toll – and it contains six or seven of the very best poems I’ve ever read. Which is a phenomenal strike-rate. He has aspects of Stewart Lee and Roger McGough to his […]Archive
May 2, 2019 by Simon Sweetman