Posts Tagged Tori Amos
Archive
June 1, 2018 by Simon Sweetman
Sweetman Podcast: Episode 118 – Chris Tse
Welcome to episode 118 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. I had a conversation with Chris Tse. He’s a Wellington poet. He’s done some acting and music-making too but it’s for his books How To Be Dead In A Year of Snakes and the very recently released He’s So […]Archive
June 29, 2016 by Simon Sweetman
Milos Karadaglic: Blackbird – The Beatles Album
Milos Karadaglic Blackbird: The Beatles Album Mercury Classics Wait! Wait! This is a contemporary classical guitar album covering The Beatles. But this is the work of Milos Karadaglic – most often referred to as simply Milos. And he can sure play. Though some of the treatments might be a bit watery, a bit John Williams-esque […]Archive
April 25, 2015 by Simon Sweetman
Nicole Andrews: In The Shallows
Nicole Andrews In The Shallows Nicole Andrews Music To write and record one song as if sniffing a lock of Tori Amos’ hair would be, well, creepy. But (possibly) human. A mistake maybe, or explained away even as endearing love-letter to an early and so-obvious influence. To record an entire album of them makes any […]Archive
June 6, 2014 by Simon Sweetman
Tori Amos: Unrepentant Geraldines
Tori Amos Unrepentant Geraldines Mercury Classics I had a long break from Tori Amos; from her music. I just couldn’t care about it. It seems Tori Amos fans really care about her music. And they really feel it man! I couldn’t. I didn’t. I loved those first three records – I enjoyed bits and pieces […]Archive
September 15, 2013 by Simon Sweetman
Lisa Crawley: All In My Head
Lisa Crawley All In My Head Centrifuge Music/MGM Records/Rhythmethod Lisa Crawley’s second album really ups the game, shows her commitment to the craft, the songs are smarter, sharper, cooler, wiser – and her earlier releases were strong at any rate. But there’s an added confidence this time – she’s moved away from something that was […]Archive
December 15, 2012 by Simon Sweetman