Posts Tagged Theatre Review
Archive
January 18, 2020 by Simon Sweetman
A Traveller’s Guide to Turkish Dogs: Theatre
A Traveller’s Guide to Turkish Dogs Direction: Jonathan Price (written by Barnaby Olson & Company) Circa Theatre; Circa Two (January 17 – February 8) This is a repeat-season, but the play is retitled, reworked and though I didn’t see it 18 months or so ago in its earlier incarnation at BATS it’s clear that this […]Archive
October 13, 2019 by Simon Sweetman
Cock: Theatre
Cock Direction: Shane Bosher (written by Mike Bartlett) Circa Theatre; Circa One (October 12 – November 9) Cock is the story of two guys and a girl. John (Jack Buchanan), a gay man, isn’t so happy with ‘M’ (Simon Leary). He’s bossed around a bit and made to feel small, a bit thick. They break […]Archive
September 23, 2019 by Simon Sweetman
Peggy Pickit Sees The Face of God: Theatre
Peggy Pickit Sees The Face of God Direction: Giles Burton (written by Roland Schimmelpfennig/translated by David Tushingham) Circa Theatre; Circa Two (September 14 – October 12) After six years apart couples Liz (Rebecca Parker) and Frank (Gavin Rutherford) and Martin (Patrick Davies) and Carol (Fingal Pollock) reunite for a dinner party. That’s ostensibly our premise […]Archive
September 8, 2019 by Simon Sweetman
The Pink Hammer: Theatre
The Pink Hammer Direction: Conrad Newport (written by Michele Amas) Circa Theatre; Circa One (September 7 – October 5) The Pink Hammer is simply not very good. It pains me to say it as I’ve spent the last two or three years talking up almost everything I’ve seen at Circa (indeed the standard is high). […]Archive
August 14, 2019 by Simon Sweetman
Cringeworthy: Theatre
Cringeworthy Direction: Andrea Sanders (devised by Andrea Sanders) Circa Theatre; Circa Two (August 10 – September 7) Cringeworthy comes to us from Andrea Sanders – creator/leader of The Beat Girls. She’s created musical shows before (usually for The Beat Girls to act and sing in) here she stars alongside Tom Knowles, Carrie McLaughlin and Jeff Kingsford-Brown in a knowingly kitsch (but utterly clever and classy) tribute to the […]Archive
August 5, 2019 by Simon Sweetman
Burn Her: Theatre
Burn Her Direction: Katherine McRae (written by Sam Brooks) Circa Theatre; Circa One (August 3 – 31) Burn Her is the kind of must-see, thrill-ride, brilliantly written, acted, directed theatre we can now pretty much expect down at Circa. Every aspect of this production sizzles. Debbie Fish’s set-design is magnificent, standing there as if about to deliver a monologue of its own as we enter […]Archive
July 8, 2019 by Simon Sweetman
The Aliens: Theatre
The Aliens Direction: Cassandra Tse (written by Annie Baker) Te Whaea Basement Theatre (July 4 – 13) An Annie Baker play changed my life – and I’ve yet to see a production of it…you see, I was so blown away by hearing her interviewed, reading about her, seeing the works available that I took a chance on the script for The Flick. […]Archive
May 8, 2019 by Simon Sweetman
Waiting For Godot: Theatre
Waiting For Godot Direction: Ross Jolly (written by Samuel Beckett) Circa Theatre; Circa One (May 4 – June 1) Samuel Beckett’s Waiting For Godot is as close to his existential novels as it is to his other theatre pieces – and when it first arrived on the stage post WWII, pre-The Beatles, it was a revelation. Remarkably, it still is. “Nothing to be done?” We are told/asked early on […]Archive
April 26, 2019 by Simon Sweetman
MoodPorn: Theatre
MoodPorn Direction: James Cain (written by Matthew Loveranes) BATS Theatre, The Heyday Dome (April 23 – May 4) Ali Foa’i (Atlas) and Heather O’Carroll (Jane) are the stars of this two-hander – and though James Cain’s direction is assured and Matthew Loveranes’ script is a delight it is because of the two actors and the chemistry between them that MoodPorn succeeds at […]Archive
March 31, 2019 by Simon Sweetman
The Children: Theatre
The Children Direction: Susan Wilson (written by Lucy Kirkwood) Circa Theatre; Circa One (March 30-April 27) In Lucy Kirkwood’s script and in Susan Wilson’s staging and pacing The Children is a triumph. This is an example of every part of the puzzle fitting, of every piece needing to be there – for this production is elegantly and […]Archive
February 11, 2019 by Simon Sweetman