Posts Tagged Stand-up Comedy
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August 27, 2019 by Simon Sweetman
Philip Matthews & Paul Horan: Funny As – The Story of New Zealand Comedy
Funny As: The Story of New Zealand Comedy Philip Matthews & Paul Horan Auckland University Press Read this as either standalone volume or as the tie-in (as intended) with recent TV series of the same name. Cleverly, you don’t need to watch Funny-As the TV series to enjoy Funny-As the book (though I don’t know […]Archive
June 20, 2019 by Simon Sweetman
David Cross: Oh, Come On
David Cross Oh, Come On Comedy Dynamics, A Nacelle Company I’ve been listening to David Cross stand-up CDs since I was first sent a review-sample back in the early 00s. That was on Sub Pop and was fascinating to me for some reason – also I recognised Cross’ face and voice from his various cameos at that point and what […]Archive
June 20, 2019 by Simon Sweetman
Sweetman Podcast # 173: Tim Batt
Welcome to episode 173 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify library. Tim Batt is a comedian and podcaster. We’ve corresponded a […]Archive
May 14, 2019 by Simon Sweetman
Comedy Festival: James Acaster (Te Auaha, Wgtn)
James Acaster: Cold Lasagne Hate Myself 1999 Te Auaha Tuesday May 15 – Saturday May 19 (7.00pm) It’s getting harder to review comedy – and I don’t just mean for me, since I don’t go out to it as often as I once did. I’m not bemoaning a lack of match fitness. The rules have […]Archive
May 9, 2018 by Simon Sweetman
Comedy Festival: Rhian Wood-Hill (Cavern Club, Wgtn)
Rhian Wood-Hill: Rhian Vested Cavern Club Tuesday May 8 – Saturday May 12 (7.00pm) Like a lot of fresh Kiwi comics Rhian Wood-Hill appears, for most of his set, to be delivering a ramshackle-endearing, but largely unfunny and overly long, amateur TEDTalk. It’s so awkward as to be almost excruciating – there’s no timing to […]Archive
March 16, 2018 by Simon Sweetman
Ricky Gervais: Humanity
Ricky Gervais: Humanity Director: John L. Spencer Netflix In his first stand-up special since 2010 Ricky Gervais wastes no time being desperately irreverent. This of course is default-setting stuff for Gervais. He has no interest in checking his privilege, not when he can whip it out and waggle it in your face. He was broke, […]Archive
February 25, 2018 by Simon Sweetman
Christina P: Mother Inferior
Christina P: Mother Inferior Director: Jay Karas Netflix Christina Pazsitzky is now “Christina P” – easier to say, easier to deal with I guess. But with her first Netflix comedy special she comes out swinging, armed with jokes, not just about her experiences as a new mother, though to begin with that’s the thread.Archive
December 19, 2017 by Simon Sweetman
Judd Apatow: The Return
Judd Apatow: The Return Director: Marcus Raboy Netflix A huge part of the Judd Apatow narrative, one he’s constantly been pushing across the last decade in particular, is his “Comedy Nerd” persona – there’s a fair bit of proof there too, sure. At 15, he started interviewing legends in the game – but this comedy […]Archive
November 30, 2017 by Simon Sweetman
Sweetman Podcast: Episode 92 – Scott Blanks
Welcome to episode 92 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. This conversation is me chatting with “the Godfather of New Zealand Comedy” Scott Blanks. Twenty years ago he turned an old porno theatre into a comedy club – The Classic. It’s still rolling on, with nightly comedy bills. […]Archive
November 27, 2017 by Simon Sweetman
Comedy on Vinyl: Stand-Up Comedy LPs
There was a time when I would listen to Bill Cosby records. But as I told you all recently that time is most certainly over. I still retain some affection for the idea of a comedy record – and by that I mean an LP, a stand-up comedy show pressed to vinyl. There’s something wonderfully indulgent about […]Archive
October 22, 2017 by Simon Sweetman