Posts Tagged Philip Glass
Archive
May 24, 2020 by Simon Sweetman
V/A: I Still Play
Various Artists: I Still Play Nonesuch Records I Still Play is a compilation of brand new solo piano compositions by composers across jazz, classical, pop and experimental (modern) music that have recorded for the Nonesuch Records label. The majority of the works are performed by classical pianist and composer Timo Andres (who also contributes a […]Archive
January 6, 2019 by Simon Sweetman
Jocelyn Pook: The Wife [OST]
Jocelyn Pook The Wife [OST] Node Records I first was aware of Jocelyn Pook as film composer for her work on the score to Eyes Wide Shut. From there I’ve continued to check in with her various musical projects – including theatre and film scores, solo albums and contributions to pop bands. She’s a player, […]Archive
May 7, 2018 by Simon Sweetman
Five Albums I’m Loving Right Now: Anna van der Leij
Anna van jer Leij works with “the fantastic folks at Chamber Music New Zealand”, and they’re touring The New Yorker music critic and author Alex Ross with New Zealand mezzo soprano Bianca Andrew and STROMA – an ensemble made up of a selection of NZSO players and pianist Emma Sayers. They mostly perform modern chamber […]Archive
November 24, 2014 by Simon Sweetman
A Winged Victory For The Sullen: Atomos
A Winged Victory For The Sullen Atomos kranky/Erased Tapes Dance choreographer Wayne McGregor has unusually wonderful taste when it comes to picking music to work with and musicians to work for. Here he has commissioned A Winged Victory For The Sullen to score his latest dance project and the result is an album that stands […]Archive
August 29, 2013 by Simon Sweetman
Lustmord: The Word As Power
Lustmord The Word As Power Blackest Ever Black As Lustmord Brian Williams has created a strain of industrial and dark ambient music that creeps along like a horror soundtrack one minute, then slowly, surely, it opens itself up – unfolding – to reveal the beauty (and still the darkness) of sublime classical music, of minimalism, […]Archive
August 5, 2013 by Simon Sweetman