Posts Tagged [OST]
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April 8, 2021 by Simon Sweetman
Tenderlonious: Tek-88 (ep)
Tenderlonious Tek-88 (ep) DAM Records Prolific producer and mult-instrumentalist Tenderlonious returns with an EP as love-letter to the Roland TR-808. Its cover is enough to get hip-hop heads, vinyl purists and studio boffins salivating – and is probably reason alone for the limited edition 12” vinyl to already be gone, long gone. Sold out just […]Archive
March 30, 2021 by Simon Sweetman
Vinnie Colaiuta and Mark Isham: Hard Candy
Vinnie Colaiuta and Mark Isham Hard Candy A-Tone Recordings, an imprint of Extreme Music Vinnie Colaiuta is a master session drummer – from Sting to Herbie Hancock via Frank Zappa and Joni Mitchell – there’s almost no chance you’ve never heard his work. He’s playing those sizzling hi-hats on the them tune to the TV […]Archive
March 28, 2021 by Simon Sweetman
Andra Day: The United States VS. Billie Holiday (Music From The Motion Picture)
Andra Day The United States VS. Billie Holiday (Music From The Motion Picture) Warner Records. Cassandra Monique Batie changed her name to Andra Day in tribute to Billie Holiday (aka “Lady Day”) and now she get to play Ms. Lady Day in the movie The United States VS. Billie Holiday, an impressionistic biopic that tells […]Archive
February 23, 2021 by Simon Sweetman
Will Bates: Bliss (Amazon Original Motion Picture Soundtrack)
Will Bates Bliss (Amazon Original Motion Picture Soundtrack) Milan Amazon Prime’s new original movie, Bliss, is getting a right royal roasting. But I quite liked it. I’m not about to mount a huge defense but in a world where utter fucking cack like Behind Her Eyes and allegedly clever time-filling series’ such as Russian Doll […]Archive
February 18, 2021 by Simon Sweetman
Sweetman Podcast # 246: Jeremiah Ross (Module)
This is episode 246 of Sweetman Podcast with support from our sponsors – T Leaf T and Yeastie Boys Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify […]Archive
February 17, 2021 by Simon Sweetman
Adam Crystal: Bonding (Original Music From the Netflix Series)
Adam Crystal Bonding (Original Music From the Netflix Series) Lakeshore Records The Netflix show Bonding, a light-hearted look at the kink-industry – telling the story of a bondage dominatrix side-hustle (she’s a uni student that needs to pay the bills) – provides a reasonable amount of laughs and gets the job done, each episode coming […]Archive
February 15, 2021 by Simon Sweetman
V/A: Music For Falling (Original Motion Picture Soundtrack)
Various Artists: Music For Falling (Original Motion Picture Soundtrack) Perceval Press Living in Wellington 20 odd years ago we all found out first hand about The Renaissance Man that is Viggo Mortensen. The actor was here for the interminable Lord Of The Rings trilogy but couldn’t rest at only that; soon he was hosting poetry […]Archive
February 7, 2021 by Simon Sweetman
John Powell: Film Suites, Vol. 1
John Powell Film Suites, Vol. 1 John Powell / 5 Cat Studios John Powell is a British composer who has been based in America for most of the last quarter century. There he has quality amassed some 50 individual film score credits as sole composer and has collaborated with many other big names – including […]Archive
February 6, 2021 by Simon Sweetman
John Carpenter: Lost Themes III – Alive After Death
John Carpenter Lost Themes III: Alive After Death Sacred Bones In 2015 John Carpenter released the first volume of Lost Themes – a cool idea. So brilliantly executed. He no longer needed to make the movies to create the music, simply went into the studio and made imaginary soundtracks to films he’ll never write – […]Archive
February 2, 2021 by Simon Sweetman
Hans Zimmer & David Fleming: Hillbilly Elegy (Music from the Netflix Film)
Hans Zimmer & David Fleming Hillbilly Elegy (Music from the Netflix Film) Milan Like everyone, I would hope, I struggled with the movie Hillbilly Elegy – I wanted to like it and in fact I could not flat out hate it. Because the lead performances are very strong. And there was something about it that […]Archive
January 25, 2021 by Simon Sweetman