Posts Tagged Memoir
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December 20, 2018 by Simon Sweetman
Parker Posey: You’re On An Airplane
You’re On An Airplane: A Self-Mythologizing Memoir Parker Posey Blue Rider Press In the 1990s Parker Posey started appearing in movies; quirky films, funny films. She was savage or sexy or cheeky or some combination of those things – she was weird and wonderful, a little odd and a lot of wonderful. She was a […]Archive
December 9, 2018 by Simon Sweetman
Michael Diamond/Adam Horovitz: Beastie Boys Book
Beastie Boys Book Michael Diamond/Adam Horovitz Spiegel & Grau It finally arrived – after so much talk and plenty of hype, the memoir of The Beastie Boys written by its two surviving members. When Adam Yauch (MCA) died from cancer in 2012 that was the end of the group. Respectfully and realistically Michael Diamond (Mike […]Archive
September 8, 2018 by Simon Sweetman
Kristin Hersh: Nerve Endings – Selected Lyrics
Nerve Endings: Selected Lyrics Kristin Hersh Unbound Though I’m a sucker for a book of lyrics I usually read and discard – realising as I’m reading it that most lyrics deserve to hang in the air, are made for the stage more so than the page; it’s nice to check in with them, really ever […]Archive
July 2, 2018 by Simon Sweetman
Grace Jones – Bloodlight and Bami: DVD
Grace Jones: Bloodlight and Bami Director: Sophie Fiennes Umbrella Entertainment As with her recent/ish memoir (a mostly great read) here Grace Jones is self-mythologising. And rightly. Wisely. More than fair enough. She’s singular – her impact felt across fashion and music and (to a lesser degree) both the big and small screen. She’s a visual […]Archive
June 9, 2018 by Simon Sweetman
James Rhodes: Fire On All Sides
Fire On All Sides James Rhodes Quercus James Rhodes, the classical pianist with rock’n’roll swagger, is a prodigy-level player that’s not there to please the purists but is – in his love of the music and his ability as conduit for it – far closer to being a purist than any of the snobs he […]Archive
April 24, 2018 by Simon Sweetman
Brett Anderson: Coal Black Mornings
Coal Black Mornings Brett Anderson Little, Brown [This review originally appeared at The Spinoff] We are drawn, so often, to music memoirs for the clichés of sex, drugs and rock’n’roll. The very best ones, however, ignore these tenets. Think Patti Smith’s Just Kids or Bob Dylan’s Chronicles. They also exist for both the mouth-breathing, moisty-palmed […]Archive
March 3, 2018 by Simon Sweetman
Gabrielle Union: We’re Going To Need More Wine
We’re Going To Need More Wine: Stories Gabrielle Union Dey Street Books A memoir – in stories, We’re Going To Need More Wine is candid, well written. It’s both funny and heart-breaking. You know Gabrielle Union from so many movies and TV shows – but she was the ugly duckling at school, or so she […]Archive
February 28, 2018 by Simon Sweetman
Art Garfunkel: What Is It All But Luminous
What Is It All But Luminous: Notes From An Underground Man Art Garfunkel Knopf; First Edition edition Something like starting from the beginning feels like the right thing to do… Do you remember that clip of Art Garfunkel talking absolute-fucking-balderdash between takes in the studio? For his memoir he’s essentially done the same thing. Why […]Archive
February 22, 2018 by Simon Sweetman
Sweetman Podcast: Episode 104 – Megan Dunn
Welcome to episode 104 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. I had a chat with Megan Dunn – she’s an artist, art-critic and writer. She’s recently released the book Tinderbox – which I loved. I contacted Megan for a chat because I’d enjoyed some of the press and interviews around Tinderbox […]Archive
February 22, 2018 by Simon Sweetman
John Mellencamp: Plain Spoken – Live from The Chicago Theatre
John Mellencamp: Plain Spoken – Live from The Chicago Theatre Enliven Entertainment/Eagle Rock Netflix Bruce Springsteen is the boss. And John Mellencamp is, at best, 2IC. Which is plain to see. Even more obvious to hear. And here he takes his Plain Spoken album – the 20-something-th of his career and places it in the live context, a […]Archive
January 25, 2018 by Simon Sweetman