Posts Tagged March
Archive
March 15, 2021 by Simon Sweetman
Gig Preview: Noise Drone Repeat, Valhalla, Wellington (Wed, March 31, 2021)
Noise Drone Repeat is a regular night at Wellington’s Valhalla – and the clue is really in the title. You’re there to hear some noisy (and sometimes weird) music. It takes place the last Wednesday of each month and this is the first one for 2021 – the return of the format.Archive
February 4, 2021 by Simon Sweetman
Comedy VS Poetry FACE/OFF: NZ FRINGE
I’m in a Fringe Festival show this year. I’m one of the performers in this amazing concept Poetry vs Stand-Up Comedy. I put the word poetry first because I’ll be one of the poets. Producers Dave Adams and Creatif Kate (aka Kate Spencer) will be MCing a set of shows across March 3-9 where three poets […]Archive
December 18, 2019 by Simon Sweetman
Gigs I Saw in 2019
I probably saw fewer gigs – and reviewed fewer gigs – in 2019 than any other year. That’s kinda nice. I also paid for a few shows too; more than other years. That’s also nice – liberating…although I’m so conditioned to writing a review to process the show that I still turn out the reviews […]Archive
November 5, 2019 by Simon Sweetman
Tour Announcement: Weyes Blood To Play Three NZ Shows (March, 2020)
Weyes Blood aka Natalie Laura Mering returns to New Zealand for three shows in March of next year. Her first appearance here in a couple of years, her first appearances out of Wellington and her first since the stunning 2019 album Titanic Rising (easily one of my picks for record of the year). Not only Weyes […]Archive
October 13, 2019 by Simon Sweetman
Tour Announcement: Violent Femmes to Play Two NZ Shows (March, 2020)
Plus1 proudly presents Milwaukee’s finest, Violent Femmes live in Auckland and Wellington in March performing so many of those songs we hold dear to their hearts. Grab your pals and get ready for classics like Blister In The Sun, Gone Daddy Gone, Kiss Off, Add it Up, American Music, Please Do Not Go & gems off new album Hotel Last Resort.Archive
April 17, 2019 by Simon Sweetman
RNZ Reviews: March 2019
Once a month or so I have a chat on RNZ on their Afternoons show with Jesse Mulligan. These things start – randomly and stop in much the same way. I hope to keep doing this. For a while at least. I think I started in December of 2015, so now four years into it or so… For […]Archive
March 31, 2019 by Simon Sweetman
The Children: Theatre
The Children Direction: Susan Wilson (written by Lucy Kirkwood) Circa Theatre; Circa One (March 30-April 27) In Lucy Kirkwood’s script and in Susan Wilson’s staging and pacing The Children is a triumph. This is an example of every part of the puzzle fitting, of every piece needing to be there – for this production is elegantly and […]Archive
November 20, 2018 by Simon Sweetman
Tour Announcement: Alejandro Escovedo To Tour NZ for the First Time! (March, 2019)
David Roy Williams (DRW) has just announced that Alejandro Escovedo will tour New Zealand for the first time – with three shows here in early 2019 (Friday March 15, Auckland’s Tuning Fork, Saturday March 16, Wellington’s Caroline and Sunday March 17, Christchurch’s Blue Smoke) as part of a full Australian/NZ tour. The legendary singer/songwriter is a […]Archive
March 22, 2018 by Simon Sweetman
Wellington Film Society: Preview – The Illusionist (L’illusionniste) (Mon, March 26)
The Wellington Film Society’s program continues. I missed the screening of Une Femme Est Une Femme – but I won’t be missing this coming week’s offering. The Illusionist (or L’Lillusioniste) comes from French comic writer, musician, animator and film director Sylvain Chomet. I loved The Triplets of Belleville but have yet to see The Illusionist.Archive
November 23, 2017 by Simon Sweetman
Sweetman Podcast: Episode 91 – Shelagh Magadza (Again!)
Welcome to episode 91 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. This conversation is me chatting once again with the Artistic Director of the NZ Festival and Wellington Jazz Festival, Shelagh Magadza.Archive
November 20, 2017 by Simon Sweetman