Posts Tagged Kiwi
Archive
July 3, 2019 by Simon Sweetman
Great Kiwi Albums You Must Revisit: #14 Songs From A Dictaphone
By the time SJD – Sean James Donnelly – released Songs From A Dictaphone he had made three previous albums, though many would not have heard his first album since it was a limited edition CD-r type thing; eventually out in the world again for all to hear (3) and it’s a very different thing… His second album was […]Archive
March 23, 2019 by Simon Sweetman
The Vinyl Countdown # 325
Split Enz, Conflicting Emotions (1983) Tim was on the way out – and keen to be a solo star – Neil was on the way up, about to become the band-leader, a role he’s basically held with regard to whatever he does ever since. So this, the second to last studio album by Split Enz is well named; an indication of the moods and […]Archive
March 6, 2019 by Simon Sweetman
The Vinyl Countdown # 330
Last Man Standing, This Sporting Life (1986) Trust your instincts, I say. And have a browse, and a guess. And see what happens…What am I talking about? Okay, exactly this: A few weeks ago I was in Auckland, in a record store browsing, and I found this and at first I thought, “Oh my god it’s This […]Archive
March 4, 2019 by Simon Sweetman
Anita Schwabe: Eat Your Greens
Anita Schwabe Eat Your Greens Rattle I wanted to say something like this is a bunch of old-school jazz-heads playing old school jazz ‘heads’ for old schooled jazzheads – and leave it at that. The assignment ticked off. This is good! And jazz fans should check it. Job done. By all the players. And a rewarding listen.Archive
February 20, 2019 by Simon Sweetman
UNWIND Chisholm/Meehan/Dyne: Orange
UNWIND: Chisholm/Meehan/Dyne Orange Rattle I first heard Hayden Chisholm (saxophones) – well at least first really took notice on the glorious collaborative album Small Holes In The Silence featuring Hannah Griffin’s voice and Norman Meehan’s piano. The music was sparse, the lyrics drawn from famous New Zealand poems. Griffin and Meehan have an ongoing project in collaboration with Bill Manhire. Chisholm was the silent star of […]Archive
January 17, 2019 by Simon Sweetman
Sweetman Podcast # 151: Marc Taddei
Welcome to episode 151 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify library to access each new episode; or […]Archive
January 5, 2019 by Simon Sweetman
The Vinyl Countdown # 344
Avantdale Bowling Club, Avantdale Bowling Club (2018) I was sold on this on first listen – I’ve liked most of what Tom Scott has done ahead of this project, but this is the one. And in fact when I reviewed the album I talked about it being the local-act album of the year; more than […]Archive
January 1, 2019 by Simon Sweetman
The Vinyl Countdown # 345
Michael Houstoun, Piano (1979) This is my favourite $1 op-shop find. For now at least. I love Michael Houstoun – amazing talent, I feel lucky thinking about the number of times I’ve seen him perform. He threatens retirement this year but I always enjoy his playing. I love classical piano and Beethoven too – so it’s […]Archive
December 28, 2018 by Simon Sweetman
DJ Setlist: San Fran presents Summer Sounds with Simon Sweetman, December 28, 2018
Most years between Christmas and New Year’s I do a wee DJ set at the San Fran, our way of letting the people know the bar’s open again in the lead up to Bill E’s New Year’s Eve extravaganza. It’s a low-key thing. Summer tunes. Usually “Kiwi BBQ” is the theme, this year I decided […]Archive
December 16, 2018 by Simon Sweetman
Summer Sounds with Simon Sweetman: DJ Set (Friday, Dec. 28, 2018)
When I’m in Wellington in-between Christmas and New Year’s – my favourite time to be in Wellington, the city is sleeping, it’s holiday-time – I play a DJ set up at the San Fran. I missed the chance last year due to being away for a long stretch, but often at this time of the […]Archive
December 10, 2018 by Simon Sweetman