Posts Tagged Fringe Festival
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April 7, 2021 by Simon Sweetman
Sweetman Podcast # 252: Mike McKeon aka Mike Dr. Blue
Welcome back for another week and another new guest, this is episode 252 of Sweetman Podcast with support from our sponsors – T Leaf T and Yeastie Boys and thanks to you readers and listeners. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can get to […]Archive
March 3, 2021 by Simon Sweetman
Sweetman Podcast # 248: Nadia Freeman (Miss Leading)
Welcome to Sweetman Podcast. It’s 2021. But I started this year with conversations recorded at the very end of 2020. Now we’re into fresh conversations recorded in 2021. And this is episode 248 of Sweetman Podcast with support from our sponsors – T Leaf T and Yeastie Boys Now – as you probably know, as […]Archive
March 2, 2021 by Simon Sweetman
UPDATE: Ethersonic Presents LENS_01 (NZ Fringe) – New Shows + One Cancelled Date
This week – as the Fringe Festival gets going – the show I earlier previewed (which I’m in) is starting. However we’ve had a change in the way it will run – we’re not starting on Thursday. But instead of shortchanging you by a show we are adding two on the remaining dates. The new run sheet […]Archive
February 19, 2021 by Simon Sweetman
Ethersonic Presents LENS_01: NZ FRINGE
Why be in one Fringe Festival this year when you can be in two! That’s what I say. I say that this year in particular because I find myself, well, in TWO Fringe Festival shows. The second of the shows is with a music project I’ve been participating in – Ethersonic. We debuted (in our Wellington configuration) late last […]Archive
February 4, 2021 by Simon Sweetman
Comedy VS Poetry FACE/OFF: NZ FRINGE
I’m in a Fringe Festival show this year. I’m one of the performers in this amazing concept Poetry vs Stand-Up Comedy. I put the word poetry first because I’ll be one of the poets. Producers Dave Adams and Creatif Kate (aka Kate Spencer) will be MCing a set of shows across March 3-9 where three poets […]Archive
January 18, 2018 by Simon Sweetman