Posts Tagged Folk
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December 4, 2018 by Simon Sweetman
The 1001 Albums Challenge # 107: Nanci Griffith – “The Last of the True Believers”
I’ve been listening to plenty of Nanci Griffith across the last two decades, but I’ve never gone all the way back…several of her early albums elude me including, until now of course, this – her fourth full-lengther (released back in 1986). She’s so on point as writer and singer, her sad/wise stories of heartbreak and […]Archive
November 29, 2018 by Simon Sweetman
Sweetman Podcast: Episode 144 – Reb Fountain
Welcome to episode 144 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify library to access each new episode; or via Anchor/FM you can get […]Archive
November 1, 2018 by Simon Sweetman
Ralph Towner: My Foolish Heart
Ralph Towner My Foolish Heart Deutsche Grammophon/ECM One of my all-time favourite albums by anyone ever is Diary by Ralph Towner. What a beautiful and tranquil thing that is. And I found it because, on a whim, I was desperate for more Ralph Towner because, up to that point, and I guess beyond, one of […]Archive
September 3, 2018 by Simon Sweetman
The Vinyl Countdown # 377
Doc Watson, Doc Watson (1964) I’ve been really enjoying this lately – the debut, self-titled album by Doc Watson; one of those guys that is kinda bigger than music – just there always, deep inside the grooves, be it country, folk, blues, gospel. In the post-Oh Brother country music book he got a new wave […]Archive
August 12, 2018 by Simon Sweetman
The Vinyl Countdown # 382
Bob Dylan, Another Side of Bob Dylan (1964) I’ve recently decided I am going to try to own everything by Bob Dylan on vinyl – I have a few already, so I’m not starting from zero. But I will be re-buying some of the 80s albums I guess – I had them, gave them away, […]Archive
July 22, 2018 by Simon Sweetman
Nathan Salsburg: Third
Nathan Salsburg Third No Quarter Salsburg has proved himself a fine guitarist as sideman and collaborator – working with the likes of Bonnie ‘Prince’ Billy and Wooden Wand – but here, on his third album (so it’s not just a clever title) he stands musically naked: just him and his acoustic guitar, no guests, no […]Archive
July 21, 2018 by Simon Sweetman
Sweetman Podcast: Episode 125 – Russell Self
Welcome to episode 125 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Here I had a chat with Russell Self. He’s a Wellington-based, English-born musician and poet. Russell’s held many jobs, let many more go, he’s been a busker, a troubadour, he recites his own poems and sings covers – he also […]Archive
March 17, 2018 by Simon Sweetman
The 1001 Albums Challenge # 44: John Prine – “John Prine”
John Prine – class act. Songwriter’s songwriter. I feel like everyone knows this. Or should. Some don’t – but then they’ll know some of his songs at least. Like Sam Stone, famously covered by many and perhaps in particular Johnny Cash. But the original is here. This is Prine’s first album and I say all […]Archive
February 4, 2018 by Simon Sweetman
The 1001 Albums Challenge # 29: The Incredible String Band – “The Hangman’s Beautiful Daughter”
I am pretty green when it comes to The Incredible String Band. One of those groups I’ve read about more than I’ve listened to. That said, I did read a book about the British psych/folk scene of the 60s/70s and it prompted me to buy a compilation of the String Band’s “hits” – not that […]Archive
December 14, 2017 by Simon Sweetman
Sweetman Podcast: Episode 94 – Adam McGrath (The Eastern)
Welcome to episode 94 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. I had a terrific chat with Adam McGrath of The Eastern. Adam is also a solo artist – with his debut solo record due out early next year. But for the last half-decade and more he’s been the frontman […]Archive
December 5, 2017 by Simon Sweetman