Posts Tagged Ennio Morricone
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July 20, 2021 by Simon Sweetman
Molly Lewis: The Forgotten Edge (ep)
Molly Lewis The Forgotten Edge (ep) Jagjaguwar Molly Lewis – born in Australia, living in L.A. and raised between Aussie and America – is a whistler. She watched a documentary about the fine, nearly lost art of musical whistling and wanting to try her hand at it. When that didn’t work, she put her lips […]Archive
February 8, 2021 by Simon Sweetman
Cool Summer: The Musical Rediscoveries of 2020/2021
Every year it’s music. All day it’s music. All the time. And if it’s not then there’s a film on – and I’m usually noticing the music. Or it’s a podcast. Which has music. Or is an interview about music. When I’m reading it’s a music biography or it’s poetry – which has its own […]Archive
January 22, 2021 by Simon Sweetman
Roberto Bravo: Tributo a Ennio Morricone
Roberto Bravo Tributo a Ennio Morricone JCM Discographica LTDA. The death of Ennio Morricone is still fresh, will resonate forever – he was one of the all-time greatest composers, conductors and arrangers for cinema and his works are so plentiful, so numerous that currently the old scores are being reissued and some are being released […]Archive
November 3, 2020 by Simon Sweetman
HAUSER: HAUSER Plays Morricone
HAUSER HAUSER Plays Morricone Sony Classical HAUSER is Croatian cellist Stjepan Hauser, one half of the crossover classical duelling cellist band, 2Cellos. Across the last decade, under his surname (BLOCK CAPITALS TOO, NOTE!) he has released a handful of albums honouring the works of Beethoven, Brahms and Bruch, playing with various combinations including the London […]Archive
July 7, 2020 by Simon Sweetman
R.I.P. Ennio Morricone
The great Ennio Morricone has died. He was 91. He was the greatest and most influential film composer of the 20th Century – his work carrying on into the 21st Century, which was when he was finally honoured with Academy awards – far too late. But Hollywood was somehow irrelevant to Morricone. He stayed in […]Archive
October 29, 2019 by Simon Sweetman
The Vinyl Countdown # 228
Ennio Morricone, Chi Mai (1981) Here’s the thing with being a dirty, rotten, grubby record-collector, particularly one that sets absurd life-goals like finding everything or at the least anything by Ennio Morricone – you are gonna go into a lot of junk-stores and leave with nothing but a lingering trace of your own shame-spiral. You […]Archive
June 12, 2019 by Simon Sweetman
The Vinyl Countdown # 292
Ennio Morricone, Un Uoma Da Rispettare [OST] (1972) Having followed whatever I can find by Ennio Morricone across the last two decades I’m now at a place where if I see something – I buy it. Even if I haven’t heard it. So it was with this, recently. It made me actuall watch the film – in English it’s called The Master Touch. And it’s not […]Archive
March 19, 2017 by Simon Sweetman
The Maestro Morricone: Sixty Years of Glorious Music-Making
I can’t be sure when I first heard the music of Ennio Morricone – it’s possible that I was hearing his film scores without realising who he was. That’s very possible given the hundreds of movies he’s scored. But at some point the name started to resonate – it was referenced. Bands that I listened […]Archive
July 21, 2016 by Simon Sweetman
Tour Diary: # 3 – Past The Mission – I Don’t Believe I Went Too Far…
Chinatown lured us back with its promise of cheap shit. Even some Lip Shit. Passed on that. But we did buy some of the I HEART SAN FRANCISCO-type memorabilia; you can justify it when you’re disguising it as a kid’s t-shirt purchase. We also went to the Eastern Bakery for something called a butter and […]Archive
February 16, 2016 by Simon Sweetman
V/A: Quentin Tarantino’s The Hateful Eight [OST]
Various Artists: Quentin Tarantino’s The Hateful Eight [OST] Verve Even when I have been less enamoured with the finished film product I’ve still been impressed with the soundtracks from Quentin Tarantino films – as it happens I rather loved The Hateful Eight – but waited to hear its soundtrack for the first time up on […]Archive
November 12, 2015 by Simon Sweetman