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October 6, 2018 by Simon Sweetman
Wellington Film Society: Preview – China’s Van Goghs (October 8)
The Wellington Film Society rolls on. Last week it was Mustang. This week it’s back to documentary, with China’s Van Goghs. One of the most affecting moments in China’s Van Goghs unfolds in a small art gallery, where the documentary’s protagonists and their friends eagerly gather to watch the 1956 Vincent van Gogh biopic Lust for Life. Their […]Archive
September 30, 2018 by Simon Sweetman
Wellington Film Society: Preview – Mustang (October 1)
The Wellington Film Society hits into October, meaning the end of the year is on its way…last week it was Lewat Djam Malam – shown internationally as “After The Curfew” – this week it’s Deniz Gamze Ergüven‘s Oscar-nominated first feature, Mustang. “Its emotions are universally recognizable, as is the powerful yearning of its young, female […]Archive
September 23, 2018 by Simon Sweetman
Wellington Film Society: Preview – After The Curfew/Lewat Djam Malam (September 24)
The Wellington Film Society showed Paris, Texas last week and record numbers turned out for that screening. This week it’s to Usmar Ismail, a pioneer of Indonesia cinema for Lewat Djam Malam – shown internationally as “After The Curfew”. Released in 1954, restored in 2012 this will be a must-see for fans of rare, rewarding […]Archive
September 15, 2018 by Simon Sweetman
Wellington Film Society: Preview – Paris, Texas (September 17)
The Wellington Film Society showed Santi-Vina last week. This week it’s Paris, Texas. I’ve seen a lot of Wim Wenders films. I’ll watch almost anything that is scored by Ry Cooder. I love Harry Dean Stanton, and Dean Stockwell too for that matter. I’ve read plenty of Sam Shepard including his Motel Chronicles which was […]Archive
September 8, 2018 by Simon Sweetman
Wellington Film Society: Preview – Santi-Vina (September 10)
The Wellington Film Society screening of Tangerine last week was a treat. And this week it’s back to Thai film for Santi-Vina in fact the first Thai film shot on 35mm in colour. Long believed lost and the film’s director Thavi Na Bangchang died in 1970, believing the last 35mm print had been irreparably damaged […]Archive
August 25, 2018 by Simon Sweetman
Wellington Film Society: Preview – Manila In The Claws of Light (August 27)
The Wellington Film Society’s program continues – last week it was Baden Baden this week it’s Manila In The Claws of Light. When Lino Brocka died in a car crash in 1991, the Philippines lost its outstanding director – a man who, despite the constraints of a commercial industry and vicious censorship under Marcos, succeeded […]Archive
June 29, 2018 by Simon Sweetman
Wellington Film Society: Preview – Les Cowboys (July 2)
The Wellington Film Society’s program moves back up to date this week. Last week it was the glam of Gilda – with cocktails after! But this week it’s Les Cowboys, a French-Belgian film from 2015. Reaching across 15 years and multiple countries, Les Cowboys repurposes the narrative codes of the classic western to explore the complexities of […]Archive
June 24, 2018 by Simon Sweetman
Wellington Film Society: Preview – Gilda (June 25)
The Wellington Film Society’s program rolls out another oldie and a goldie. Last week it was to more modern times with Of Horses And Men, this time we’re back in the Golden Era with Gilda – featuring of course Rita Hayworth and Glenn Ford and directed by Charles Vidor.Archive
June 16, 2018 by Simon Sweetman
Wellington Film Society: Preview – Of Horse And Men (June 18)
The Wellington Film Society’s program is continues, last week it was 1960s paranoia with Seconds, this week we’re in Iceland, we’re right up to date (well, 2013) and we’ve got one of the shortest running times of the year (around 70 minutes or so) with Benedikt Erlingsson’s movie, Of Horses And Men. Part of the […]Archive
June 6, 2018 by Simon Sweetman
Wellington Film Society: Preview – Seconds (June 11)
The Wellington Film Society’s program is back after a week off – and we’re still in the sixties, following on from Alphaville we’re in the world of John Frankenheimer. His Seconds (1966) is in fact the third film in his “Paranoia Trilogy” (following 1962’s The Manchurian Candidate and 1963’s Seven Days In May). The film […]Archive
May 14, 2018 by Simon Sweetman