Posts Tagged Circa
Archive
May 16, 2018 by Simon Sweetman
Problems: Theatre
Problems Direction: Gavin Rutherford (written by Joe Musaphia) Circa Theatre; Circa One (May 11 – 26) We walk in past the murals of The Great Leader and Madame Great Leader and we’re sat in front of two huge doors. Behind them…The Great Leader. He’s having his nap. With a loaded gun. Two guards (Stephan, played […]Archive
April 26, 2018 by Simon Sweetman
Sweetman Podcast: Episode 113 – Lisa Harrow
Welcome to episode 113 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and Le Petite Chocolat. I met Lisa Harrow in the green room at Circa Theatre. She is acting royalty. I couldn’t believe my luck – that she had agreed to a long conversation for the podcast. Well, then, as soon as I met […]Archive
April 11, 2018 by Simon Sweetman
The Lie: Theatre
The Lie Direction: Ross Jolly (written by Florian Zeller; translated by Christopher Hampton) Circa Theatre; Circa One (April 7 – May 5) The Lie is the latest by the brilliant French novelist and playwright Florian Zeller. Here, again, translated by Christopher Hampton and directed for Circa by Ross Jolly – as was the case, last […]Archive
April 4, 2018 by Simon Sweetman
Switzerland: Theatre
Switzerland Direction: Susan Wilson (written by Joanna Murray-Smith) Circa Theatre; Circa Two (March 17 – April 14) Written by Australian playwright Joanna Murray-Smith, Switzerland imagines the crime writer Patricia Highsmith in her final days at home – hiding – in the Swiss Alps. She’s a grump, worse than that she’s racist, she’s a misanthrope; trusting […]Archive
March 27, 2018 by Simon Sweetman
At The Wake: Theatre
At The Wake Direction: Jane Yonge (written by Victor Rodger Circa Theatre; Circa One (March 21-31) In her Wellington stage debut, internationally renowned, Kiwi-born Lisa Harrow is the revelation. As Joan, the grandmother with grit, with a heart of gold but a potty-mouth and some dark secrets, Harrow is constantly the hook and hinge of […]Archive
March 13, 2018 by Simon Sweetman
NZ Festival Writers & Readers: Teju Cole – Blind Spot
Teju Cole: Blind Spot Circa One; Circa Theatre Saturday, March 10 This Writers & Readers session was Teju Cole in conversation with Paula Morris. Chiefly the discussion was about his excellent new book Blind Spot but from there Cole found his way to talking about his work in a more general sense, his motivations, his […]Archive
March 12, 2018 by Simon Sweetman
NZ Festival Writers & Readers: Francis Spufford & Elizabeth Knox Talk About God
Francis Spufford & Elizabeth Knox Talk About God Circa One, Circa Theatre Saturday, March 10 This Writers & Readers session featured a conversation about God between long-time correspondents Francis Spufford (UK) and Elizabeth Knox (NZ). It was, if you’ll pardon the pun, a spirited conversation. It was lively, funny and often irritating. For a start, […]Archive
March 11, 2018 by Simon Sweetman
NZ Festival Writers & Readers: Bloody Difficult Women
Bloody Difficult Women Circa 2, Circa Theatre Friday, March 9 This Writers & Readers session, dubbed Bloody Difficult Women, featured Annaleese Jochems (author of Baby) and Kirsten McDougall (author of Tess and also The Invisible Rider) in conversation with fellow novelist Catherine Robertson. A spirited discussion emerged, though Robertson was far too dominant, bringing the […]Archive
March 1, 2018 by Simon Sweetman
Stubs: # 219 – Lungs, Wellington, 2016
The play Lungs was terrific – click there to read my review. Perfect small theatre, in the Circa Studio, a two-hander, unnamed couple, “She” and “He” I believe the notes said, or “Him” and “Her” or some such. I was there on opening night. I don’t often go to opening night. I find the rattling […]Archive
February 4, 2018 by Simon Sweetman
Joan: Theatre
Joan Direction: Tim Gordon Circa Theatre; Circa One (Jan 27 – Feb 17) Tom Scott (cartoonist/humourist/writer) wrote the very successful Daylight Atheist about his father – that was nearly twenty years ago now. And it’s his mother’s turn with Joan – played by mother/daughter combo Ginette McDonald and Kate McGill.Archive
December 21, 2017 by Simon Sweetman