Posts Tagged Circa One
Archive
March 31, 2019 by Simon Sweetman
The Children: Theatre
The Children Direction: Susan Wilson (written by Lucy Kirkwood) Circa Theatre; Circa One (March 30-April 27) In Lucy Kirkwood’s script and in Susan Wilson’s staging and pacing The Children is a triumph. This is an example of every part of the puzzle fitting, of every piece needing to be there – for this production is elegantly and […]Archive
February 11, 2019 by Simon Sweetman
Rants In The Dark: Theatre
Rants In The Dark Directed by Lyndee-Jane Rutherford (based on the book by Emily Writes adapted for the stage by Mel Dodge, Lyndee-Jane Rutherford and Bevin Linkhorn) Circa Theatre; Circa One (January 19 – February 16) [Good Times Company] Yes, due to bad holiday-planning I am very late to Rants In The Dark – but I saw the opening night […]Archive
November 20, 2018 by Simon Sweetman
Puss in Boots – The Pantomime: Reviewed by Oscar Sweetman (age 7)
Puss in Boots – The Pantomime Direction: Susan Wilson (written by Paul Jenden) Circa Theatre; Circa One (Nov 17 – Dec 23/Jan 2-12) Reviewed by Oscar Sweetman (age 7) Hi guys, do you remember that last year I actually reviewed the Pantomime at Circa called Peter Pan – it’s okay if you don’t remember because my dad […]Archive
July 12, 2018 by Simon Sweetman
Songs For Nobodies: Theatre
Songs For Nobodies Direction: Ross Gumbley (written by Joanna Murray-Smith) Circa Theatre; Circa One (July 7 – August 4) [Ali-Cat Productions Ltd] Ali Harper here performs ten roles, a dozen voices, as – variously – the famous singers Judy Garland, Patsy Cline, Edith Piaf, Billie Holiday and Maria Callas. But she is also the “nobodies”, […]Archive
May 16, 2018 by Simon Sweetman
Problems: Theatre
Problems Direction: Gavin Rutherford (written by Joe Musaphia) Circa Theatre; Circa One (May 11 – 26) We walk in past the murals of The Great Leader and Madame Great Leader and we’re sat in front of two huge doors. Behind them…The Great Leader. He’s having his nap. With a loaded gun. Two guards (Stephan, played […]Archive
April 11, 2018 by Simon Sweetman
The Lie: Theatre
The Lie Direction: Ross Jolly (written by Florian Zeller; translated by Christopher Hampton) Circa Theatre; Circa One (April 7 – May 5) The Lie is the latest by the brilliant French novelist and playwright Florian Zeller. Here, again, translated by Christopher Hampton and directed for Circa by Ross Jolly – as was the case, last […]Archive
March 27, 2018 by Simon Sweetman
At The Wake: Theatre
At The Wake Direction: Jane Yonge (written by Victor Rodger Circa Theatre; Circa One (March 21-31) In her Wellington stage debut, internationally renowned, Kiwi-born Lisa Harrow is the revelation. As Joan, the grandmother with grit, with a heart of gold but a potty-mouth and some dark secrets, Harrow is constantly the hook and hinge of […]Archive
March 13, 2018 by Simon Sweetman
NZ Festival Writers & Readers: Teju Cole – Blind Spot
Teju Cole: Blind Spot Circa One; Circa Theatre Saturday, March 10 This Writers & Readers session was Teju Cole in conversation with Paula Morris. Chiefly the discussion was about his excellent new book Blind Spot but from there Cole found his way to talking about his work in a more general sense, his motivations, his […]Archive
March 12, 2018 by Simon Sweetman
NZ Festival Writers & Readers: Francis Spufford & Elizabeth Knox Talk About God
Francis Spufford & Elizabeth Knox Talk About God Circa One, Circa Theatre Saturday, March 10 This Writers & Readers session featured a conversation about God between long-time correspondents Francis Spufford (UK) and Elizabeth Knox (NZ). It was, if you’ll pardon the pun, a spirited conversation. It was lively, funny and often irritating. For a start, […]Archive
February 4, 2018 by Simon Sweetman
Joan: Theatre
Joan Direction: Tim Gordon Circa Theatre; Circa One (Jan 27 – Feb 17) Tom Scott (cartoonist/humourist/writer) wrote the very successful Daylight Atheist about his father – that was nearly twenty years ago now. And it’s his mother’s turn with Joan – played by mother/daughter combo Ginette McDonald and Kate McGill.Archive
November 27, 2017 by Simon Sweetman