Posts Tagged Brian Eno
Archive
March 6, 2019 by Simon Sweetman
The 1001 Albums Challenge # 130: William Orbit – “Strange Cargo III”
In the early-90s William Orbit made three albums with the same title, well three volumes, culiminating then with this – “Strange Cargo III”. He of course made plenty of other great things, including lots of key remixes and production work (I was, for a time, rather besotted with his Pieces In A Modern Style). He was all the rage when I was working […]Archive
August 19, 2018 by Simon Sweetman
Tom Rogerson with Brian Eno: Finding Shore
Tom Rogerson with Brian Eno Finding Shore Dead Oceans Tom Rogerson is from the British experimental rock trio Three Trapped Tigers. Where, in that context he was vocalist and keyboardist here he submits his piano offerings – with some synths and electronic ideas – to ambient-music’s overlord Brian Eno. It’s collaboration in that Mercurical Eno […]Archive
July 31, 2018 by Simon Sweetman
Roger Eno: Dust of Stars
Roger Eno Dust of Stars Painted World Music Roger Eno – the Mike McGear of Ambient Music? The Pat McEnroe of line calls? It’s a churlish chap that mocks this master pianist, I reckon. He’s not only been involved in some of his brother’s great recordings, he has made plenty of his own. Laugh if […]Archive
June 25, 2018 by Simon Sweetman
Angelique Kidjo: Remain In Light
Angelique Kidjo Remain in Light KRAVENWORKS Angelique Kidjo is African Music Royalty – even if she’s suffered some claims of (somehow) not being “Authentic”. Hers is a fine body of work, moving and political, so often utterly joyous and accessible too as she creates a version of Afrobeat that integrates mainstream international music; hers then […]Archive
June 22, 2018 by Simon Sweetman
Venetian Snares/Daniel Lanois: Venetian Snares x Daniel Lanois
Venetian Snares/Daniel Lanois Venetian Snares x Daniel Lanois Timesig/Planet Mu This surprise collaboration features two Canadian wunderkind musicians that push and pull in very different directions. It might be a head-scratch (or indeed a head-fuck) for many, particularly if you are arriving at this as a Lanois fan unaware of Venetian Snares. But there’s gold […]Archive
June 14, 2018 by Simon Sweetman
Poem: Convalescence
Brian Eno listening to a harp album convalescing. He can barely lift a finger. the taxi-cab banged him up pretty good – or pretty bad – depends how you look at it. the album of harp music on in the background. the rain takes over – or it provides further soundtrack – depends how you […]Archive
March 14, 2018 by Simon Sweetman
David Byrne: American Utopia
David Byrne American Utopia Nonesuch It’s almost incredible to think it’s been some 14 years between David Byrne solo albums. That’s because he’s busy writing operas, staging shows, sending out e-newsletters, publishing books, collaborating with old pals (Brian Eno) and new friends (St. Vincent) and scoring soundtracks. He’s doing anything he can to not agree […]Archive
September 22, 2017 by Simon Sweetman
Five Songs For Friday: 19 – Album-Length ‘Songs’
It’s been a while – and since the big news for a lot of people this week was the announcement that Sleep will be playing NZ shows next year (for the first time ever) I thought, in honour of the album Dopesmoker we could look at four single-track albums; album-length songs. So here goes…Archive
August 25, 2017 by Simon Sweetman
So Good It Sent Me To Sleep: Albums To Nod Off To (In A Good Way)
I’m often asked if I ever sleep – usually in the form of a Facebook message or a question on Twitter, sometimes it arrives in an email, from a person I don’t really know but I can sense the concern is genuine. I’ve also been asked how I sleep – as in with all the […]Archive
July 14, 2017 by Simon Sweetman
Arve Henriksen: Towards Language
Arve Henriksen Towards Language Rune Grammofon The calligraphic waft of Arve Henriksen’s trumpet is its own woozy, ethereal fug – through his horn and with his occasional vocalisations he has, over a double-handful of records (recording prolifically) created his own language – an ambient-jazz that is all at once hypnotic and yet hard to grasp. […]Archive
July 6, 2017 by Simon Sweetman