Posts Tagged Banjo
Archive
March 4, 2020 by Simon Sweetman
Gig Review: Rhiannon Giddens with Francesco Turrisi (March 4, Wellington)
Rhiannon Giddens with Francesco Turrisi MFC, Wellington Wednesday, March 4 When I reviewed There Is No Other – the duo album recorded over a handful of days last year by Rhiannon Giddens and Francesco Turrisi – I talked about the tantalising prospect of this pair of musicologists taking to the road in support of this […]Archive
December 2, 2019 by Simon Sweetman
The Vinyl Countdown # 208
Big Ben Banjo Band, Let’s Together Some More [EP] (1957) With a name like the Big Ben Banjo Band I was powerless to resist. This is the right side of novelty music as far as I’m concerned. I love a good novelty-record, it’s a fine line though; when there’s some musical ability attached (virtuosity even) […]Archive
November 6, 2019 by Simon Sweetman
Rhiannon Giddens with Francesco Turrisi: There Is No Other
Rhiannon Giddens w/ Francesco Turrisi There Is No Other Nonesuch From her time with Carolina Chocolate Drops and now through her solo albums and shows Rhiannon Giddens spans decades and bridges musical genres bringing both a warmth and show-stopping dazzle to the old-time music of Americana past. She’s been a TV star (Nashville), an opera-trained […]Archive
September 3, 2018 by Simon Sweetman
The Vinyl Countdown # 377
Doc Watson, Doc Watson (1964) I’ve been really enjoying this lately – the debut, self-titled album by Doc Watson; one of those guys that is kinda bigger than music – just there always, deep inside the grooves, be it country, folk, blues, gospel. In the post-Oh Brother country music book he got a new wave […]Archive
February 9, 2016 by Simon Sweetman
Roscoe Holcomb: San Diego Folk Festival 1972
Roscoe Holcomb San Diego Folk Festival 1972 Tompkins Square Roscoe Holcomb was a journeyman folk-blues singer and 5-string banjo player. He only ever recorded a small handful of sides – and this 1972 live performance at the San Diego Folk Festival is his only full live set caught on tape, it’s been rediscovered here by […]Archive
December 5, 2011 by Simon Sweetman