Posts Tagged Australia
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September 22, 2019 by Simon Sweetman
The Vinyl Countdown # 248
Peter Fonda, Peter Fonda (2018) I have a very kind friend based in Australia who has hooked me up with some interesting vinyl from talented, if lesser known players. His philosophy is simple: connecting people with music, sharing his tastes, helping out his mates – his mates in bands and his mates that like music. […]Archive
September 19, 2019 by Simon Sweetman
The Vinyl Countdown # 249
Darren Cross, Peacer (2018) I had best intentions about reviewing this – I really like it – but time has gathered up around me and surged everything forward. Darren Cross already has another new album – all instrumental too – so I’ll review that. And soon. But meanwhile I’ll give it a wee plug here. […]Archive
August 31, 2019 by Simon Sweetman
Paul Kelly: Live at Sydney Opera House
Paul Kelly Live at Sydney Opera House Universal Import I realise now that my ‘break’ from listening to Paul Kelly came about due to the embarrassment of once trying to jump on stage with him once, of nearly wrestling a guitar from his hands, of all the silliness of youth… I was – and am […]Archive
July 25, 2019 by Simon Sweetman
Sweetman Podcast # 177: Miles Golding
Welcome to episode 177 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify library. Miles Golding is a classically trained violinist based in […]Archive
May 22, 2019 by Simon Sweetman
Sweetman Podcast # 169: Jon Toogood
Welcome to episode 169 of Sweetman Podcast with support from our sponsors – T Leaf T, Yeastie Boys and La Petite Chocolat. Now – as you probably know, as well as the usual platforms (this site, soundcloud, iTunes/Apple) you can now get to Sweetman Podcast on Spotify – follow it there and have it saved in your Spotify library. This one is a conversation with Jon Toogood. […]Archive
February 27, 2019 by Simon Sweetman
Antipodes: Good Winter
Antipodes Good Winter Rattle Trust Rattle to find the gems. Well, I do. Utterly. For a quarter-century or so now a small team has been creating CD-artworks (yes, the format is dying, dead – but they breathe life through commitment to liner notes, design, the idea of creating the artefact) and yet this could only […]Archive
February 18, 2019 by Simon Sweetman
Sam Newton: Stare Into The Dark
Sam Newton Stare Into The Dark Sam Newton/Independent Sometimes exactly what you want is a songwriter that is dialing it right back. Across three albums Australian singer/songwriter Sam Newton has been exploring that concept. Here with his latest it is almost entirely about ‘the song’. Sure he has a pleasant voice – he summons the requisite vulnerability, heartbreak, and in fact a range of emotions. He’s […]Archive
February 16, 2019 by Simon Sweetman
Stubs: # 222 – Foo Fighters, Sydney, 2018
It wasn’t that I was desperate to see the Foo Fighters again – although I was curious (call it a perverse ‘professional curiosity’ if you like…) I saw the Foos when they had only just formed and were rather good. I saw them again, two albums later, as part of a Big Day Out. And they were quite shit. […]Archive
January 22, 2019 by Simon Sweetman
Ali Whitelock: and my heart crumples like a coke can
and my heart crumples like a coke can Ali Whitelock Wakefield Press I finished reading Ali Whitelock’s poetry volume the day I heard of Mary Oliver’s passing. I had been savouring the pages of “coke can”, taking my time, reading no more than four poems in a sitting; deep stories, they require a lot of you (in the best possible way), they sit with […]Archive
December 17, 2018 by Simon Sweetman
The 1001 Albums Challenge # 112: The Triffids – “Calenture”
I so love the album Born Sandy Devotional that even if The Triffids did nothing else of value at all I’d still tell you they’re one of my favourite bands. Turns out they made a small handful of perfectly imperfect albums and I’m still getting to them. I hadn’t heard Calenture – which has changed […]Archive
October 1, 2018 by Simon Sweetman