Posts Tagged ANTI-
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June 17, 2019 by Simon Sweetman
Mavis Staples: We Get By
Mavis Staples We Get By Anti/Epitaph She is 80 this year. She is remarkable. She is the voice of civil rights. She is one of the voices of the 20th Century and her output across the last decade and a half in particular shows a restless ambition; Mavis Staples doesn’t want to be remembered as being the voice of just the […]Archive
December 5, 2017 by Simon Sweetman
Mavis Staples: If All I Was Was Black
Mavis Staples If All I Was Was Black Anti/Epitaph What a decade it’s been for Mavis Staples – riding on a high note ever since 2007’s We’ll Never Turn Back with a constant victory-lap of touring and this now deep collaboration with Jeff Tweedy’s Wilco. It hasn’t all been amazing, I couldn’t get too excited […]Archive
June 21, 2016 by Simon Sweetman
case / lang / veirs: case / lang / veirs
case / lang / veirs case / lang / veirs ANTI/Epitaph It’s always really something when the final product delivers on the obvious hype around the project. Here Neko Case, k.d. lang and Laura Veirs have collaborated – made, if you must, “a supergroup” (you get the feeling they’d hate that tag – deserved though […]Archive
April 27, 2016 by Simon Sweetman
Mavis Staples: Livin’ On A High Note
Mavis Staples Livin’ On A High Note Anti/Epitaph Here’s the latest from Mavis Staples, and a producer-switch, following two charming-enough but sombre Jeff Tweedy-helmed full lengthers. Now we have M. Ward making sure things are sunny and hopeful – and the songwriting credits include Nick Cave, Neko Case and Bon Iver’s Justin Vernon among others. […]Archive
July 3, 2013 by Simon Sweetman
Mavis Staples: One True Vine
Mavis Staples One True Vine ANTI Records Well, it had to happen. But we’re there now – certainly. The reintroduction of Mavis Staples – all that hard work, the touring, the superb Ry Cooder-produced “comeback” and now, a Grammy-winner with Jeff Tweedy and this follow-up and here we have it: the sanitised, ultimately rather boring, […]Archive
April 3, 2013 by Simon Sweetman