Posts Tagged 2018)
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October 5, 2020 by Simon Sweetman
Alan Howarth: Live at Hollywood Theater
Alan Howarth Live at Hollywood Theater Bsx Records Inc Alan Howarth is a composer and sound engineer – best known for his work with John Carpenter (as well as several volumes of the Halloween films he has composed and/or performed aspects of the score for Christine, Prince of Darkness, Escape From New York, They Live […]Archive
September 20, 2020 by Simon Sweetman
John Carpenter, Cody Carpenter & Daniel Davies: Halloween – Expanded Edition (Original Motion Picture Soundtrack)
John Carpenter, Cody Carpenter & Daniel Davies Halloween: Expanded Edition (Original Motion Picture Soundtrack) Sacred Bones John Carpenter’s original score for the original Halloween movie is what saved it – the low-budget movie which is legendary now for its kickstarting of a new strain of horror films and for its pioneering indie film spirit was […]Archive
September 17, 2020 by Simon Sweetman
Stubs: # 278 – Teju Cole: Blind Spot, Wellington, 2018
Most days I think about Teju Cole’s book Blind Spot (and how wonderful it is). And sometimes I remember how lucky I was to see him not just once but twice in the same weekend. Just recently I found the stub for that first show – and remembered that it was slightly derailed by tech […]Archive
September 15, 2020 by Simon Sweetman
Stubs: # 277 – The Staves, Wellington, 2018
The really great thing about music reviewing (esp gigs) is you get to see some acts you never would have thought to get to – like The Staves. The really dumb thing about music reviewing (esp gigs) is you go along, you review the show, rave about it, place it as one of the best […]Archive
September 8, 2020 by Simon Sweetman
Stubs: # 276 – NZSO: Summer Pops – Music From The Movies, Wellington, 2018
It seemed a good idea to get some culture, the whole family. Music From The Movies was the name of the NZSO’s Summer Pops program for 2018 and, alas, it was a fucking snore-fest. It didn’t fire. Ever. Just some dated, monotonous, lifeless movie scores. No punch. No fire. No fun. All very boring. And […]Archive
August 31, 2020 by Simon Sweetman
Stubs: # 274 – Rhian Sheehan, Wellington, 2018
I’ve seen Rhian Sheehan a bunch of times. And it’s always been great – always a variation of the same sorts of moods and feels and vibe; many of the same pieces even. But it always has a new flavour too. So it’s never (just) repetition. I’ve seen this sort of show from him develop […]Archive
August 19, 2020 by Simon Sweetman
Stubs: # 272 – Litcrawl, Wellington, 2018
Litcrawl is Wellington’s coolest (best) literary event, a spectacular, jam-packed with ideas and showcases – and in 2018 I was lucky to be asked to be part of one of the events. Lucky. And shitting myself. Why not both? The event was called Lit-Sync For Your Life and it featured three readers – I was […]Archive
August 9, 2020 by Simon Sweetman
Stubs: # 271 – Switzerland, Wellington, 2018
Funny, I was just reminiscing about the play Songs For Nobodies and how great the writing of Joanna Murray-Smith was but actually the first things I saw by Smith was this play, Switzerland. I didn’t like it. And it was the writing that really let it down for me. The acting was superb – two […]Archive
August 7, 2020 by Simon Sweetman
Stubs: # 270 – Songs For Nobodies, Wellington, 2018
I felt like I was suitably prepared to enjoy this show – having met and interviewed the show’s star Ali Harper and being a fan of the singers she was inhabiting. But no. It was far better than my already pretty-high expectations. Don’t you just love that. The script was brilliant – but it’s Ali’s […]Archive
August 4, 2020 by Simon Sweetman
Stubs: # 269 – Thundercat, Wellington, 2018
It’s funny how sometimes you see a genius – a great talent – and it just doesn’t stick, doesn’t connect, doesn’t mean anything. The first time I saw Thundercat I was a fan – but I hated the show. It was busy when it didn’t need to be and felt very splatter-painting/ish and I just […]Archive
August 2, 2020 by Simon Sweetman